- 4 octaves overall range
- 3½ octaves chromatic range
- solid sapele soundboard and back
- traditional 5th-interval tuning
- 19/18 configuration with a 6-course super bass bridge
- reinforced with carbon fiber for stability
Of our three largest hammered dulcimers, the D600 is the most economical. It has the same body as the D650 and D670 and produces the same full, deep and resonant tone, but has slightly fewer string courses on the super bass bridge. The lowest note is D2, whereas the D650 and D670 extend down to A1.
Working closely with our design partner, Sam Rizzetta, we developed what we're calling a "dual-density bridge system" to optimize the tonal balance across the range. In the upper register, we're using jatoba, a very dense and articulate South American tonewood, which brings out the clear, ringing bell tones of the high notes. Slightly lighter density Eastern hard maple in the mid and lower ranges facilitates a full, warm, round tone. This combination surrounds the player with a balanced blend of clarity, responsiveness, sparkle and warmth. (We do not yet have an updated photo of the D600 model, but you can see what the bridges look like on the D650 page.)
The 600 series models have often been called the grand pianos of the hammered dulcimer world because of their large range and deep, powerful sound, and this is in part due to their relatively substantial size and mass. While these models are still portable, it takes reasonable strength to carry them. We've found it helps to distribute the weight between the shoulder strap and the low hand-grip on the case - and limit your walking distance!
Starting in 2011, we began incorporating carbon fiber into the internal bracing of our Chromatic Series dulcimers, improving upon their existing reputation for excellent tuning stability. With a stiffer frame, the tuning stability has gone from excellent to truly exceptional, a benefit that any dulcimer player will appreciate wholeheartedly.
The C600 case is available separately.
D600: $3395 (includes gooseneck tuning wrench, large double-sided hammers, owner's guidebook)
The Chromatic Series
Dusty Strings Chromatic Series dulcimers are professional-caliber instruments and are widely regarded as being among the finest hammered dulcimers available. However, this does not mean you have to be a professional to play one! As a beginner, you might be amazed at how quickly you make progress on an instrument that sounds fantastic and is well-made and satisfying to play. Regardless of your experience level, we think you’ll find the sophisticated tone and detailed craftsmanship of the Chromatic Series dulcimers to be well worth the investment.
The tuning scheme is a variation of traditional 5th-interval tuning, where the chromatic notes either replace duplicated notes or are added via extra bridges. We’ve found that it’s no different for a beginner to learn on one of our chromatic instruments than it is to learn on a more basic traditional instrument. More advanced players who are accustomed to traditional tuning will find it easy to adapt and will be delighted by the increased versatility of having access to all the sharps and flats. The chromatic capability opens the doors to musical styles such as classical, ragtime, bluegrass, jazz and rock.
Designed in collaboration with Sam Rizzetta, a highly respected inventor, builder and player of hammered dulcimers since the 1960s, these instruments have his signature asymmetrical design, which places the treble bridge perpendicular to the strings for ease of playing. The internal bracing system is more elaborate and sophisticated than our other models and, combined with the all-solid-wood construction, gives our chromatic dulcimers a resonance, clarity, and depth of tone that is unrivaled.
For the ultimate expressive instrument, we highly recommend the optional damper system. Dampers allow the player to stop the strings from ringing by pressing on a foot pedal, and can be used very effectively to support even more nuanced playing, complex arrangements and interesting voicings. The Chromatic Series dulcimers are now being built with pre-drilled and capped damper installation holes, which will streamline the installation of a damper system whenever it is desired.
The single sound hole is decorated with a hand-carved maple leaf insert, a signature feature of our chromatic line. Contrasting solid-wood binding and delicate multi-layered veneers called purfling add a professional finish detail to the soundboard.
Curly maple trim
Abalone Soundhole Inlay
Abalone Soundboard Inlay
Padded carrying case
|Variety of stand and leg choices|
The D600 has four octaves of range. The lowest note is the D two octaves below middle C. It is laid out in a 19/18/6 configuration, meaning that there are 19 courses of strings on the treble bridge, 18 courses on the bass bridge, and a 6-course super bass bridge on the left, which provides the lower half-octave as well as some of the chromatic notes. The overall range is D2 to E6. The chromatic range is B2 to E6.
Tuning and Strings
Superscript numbers indicate octaves (C4 is middle C). Dots indicate marked courses. PB = phosphor bronze. PBW = phosphor bronze wound. SSW = stainless steel wound. Unspecified strings are plain steel. Wire gauges are shown in inches.
- Bottom rail: 50 inches
- Top rail: 18 inches
- Height: 23 inches
- Thickness: 4¼ inches
- Weight: approx. 25 pounds
- Soundboard and back: solid sapele
- Rails: wenge
- Pinblocks: laminated piano-style pinblocks faced with wenge
- Bridges: jatoba and eastern hard maple
- Soundhole insert: eastern hard maple
"My **third** Dusty Strings dulcimer."
-Joe Kreitzer (Shoreview, Minnesota)
"Beautiful workmanship... I look forward to a lifetime of musical joy with this instrument.!"
-Shaine T. Luther (Sierra Madre, California)
“I’ve gotten many glowing compliments on the sound. The low bass notes have just the right sustain and fullness ... It’s also a very beautiful instrument to look at. It makes you want to just play and play ... The D600 isn’t much bigger or heavier than any other dulcimer ... they’ve somehow succeeded in doing all of this without making a big monster for you to carry around.”
-Timothy Seaman (Williamsburg, Virginia)